\uc591\uc2b9\uc6b1 Yang Seungwook<\/strong><\/h1>\n“\uc9c0\ub098\uac00\ub358 \uae38\uc5d0 \ubc84\ub824\uc9c4 \uc4f0\ub808\uae30\ub098 \uc0ac\ubb3c\ub4e4\ub85c \uc778\ud574 \uadf8 \uc8fc\ubcc0\uc774 \uad49\uc7a5\ud788 \uc5b4\uc0c9\ud558\uace0 \ub0af\uc124\uac8c \ub290\uaef4\uc9c8 \ub54c\uac00 \uc788\ub2e4.<\/p>\n
\uc774\ub7f0 \uc21c\uac04\ub4e4\uc744 \ud3ec\ucc29\ud558\ub294 \uacfc\uc815\uc5d0\uc11c \uc0ac\uc9c4\uc791\uc5c5\uc774 \uc2dc\uc791\ub418\uc5c8\ub2e4.<\/p>\n
\uc5ec\uae30\uc5d0 \uac1c\uc778\uc801\uc778 \uacbd\ud5d8\uacfc \uae30\uc5b5\uc774 \ub354\ud574\uc838 \uc0c8\ub85c\uc6b4 \uc7a5\uba74\uc744 \uc5f0\ucd9c\ud558\uae30\ub3c4 \ud558\uace0,<\/p>\n
\uc774\ubbf8 \ucd2c\uc601\ub41c \uc774\ubbf8\uc9c0\ub4e4\uc744 \uc11e\uc5b4 \uc7ac\ud3b8\uc9d1\ud568\uc73c\ub85c\uc11c \ub610 \ub2e4\ub978 \uc791\uc5c5\uc744 \ub9cc\ub4e4\uc5b4\ub0b4\uace0 \uc788\ub2e4.”<\/p>\n
Yang Seungwook was born and lives\u00a0 in Seoul, Korea.<\/p>\n
“Sometimes I feel awkward and unfamiliar on the way, when seeing rubbish abandoned on the<\/p>\n
street or things left alone. My photographs started with the process that catching the moments.<\/p>\n
I have been making works through creating novel scenes, adding my own experiences and<\/p>\n
recollections to the moments, and reproducing images taken already.”<\/p>\n<\/div>
\nTEL<\/strong> : +82 10 9409 0668, \u00a0E-mail<\/strong> : cxxt@nate.com<\/p>\nSNS<\/strong> :![\"facebook\"](\"http:\/\/yangseungwook.com\/wp-content\/uploads\/2015\/07\/facebook.png\")
<\/a>http:\/\/facebook.com\/ysw1223<\/a> ,\u00a0![\"Instagram_button\"](\"http:\/\/yangseungwook.com\/wp-content\/uploads\/2015\/07\/Instagram_button.png\")
<\/a> \u00a0@yang_seungwook <\/a>,@cxxt <\/a>![\"TwitterButton\"](\"http:\/\/yangseungwook.com\/wp-content\/uploads\/2015\/07\/TwitterButton.png\")
<\/a>\u00a0@cxxt<\/a>\u00a0, ![\"postfiles3_naver\"](\"http:\/\/yangseungwook.com\/wp-content\/uploads\/2015\/07\/postfiles3_naver.png\")
<\/a>\u00a0http:\/\/blog.naver.com\/cxxt<\/a><\/p>\n<\/div>
\nCollective Work<\/strong><\/p>\n\n- \uc0b4\uce5c\uad6c (Salchingu) : @salchingu<\/a>\u00a0with @starry8night<\/a><\/li>\n
- \ub3c4\ud30c\ubbfc \ud034\uc5b4 \uc9c4 \ud074\ub7fd (Dopamin Queer Zine Club) : @dopaminequeerzineclub<\/a> with @heejodraws<\/a> \u00a0\u00a0https:\/\/www.dopaminequeerzineclub.com<\/a><\/li>\n
- The project CV Team WAH(Wealth and Honor) : @the_project_cv<\/a> with @woow_woo<\/a> , @zulywith<\/a> , @starry8night<\/a> , @mongseal2<\/a><\/li>\n
- \ud034\uc5b4\uc608\uc220\uc5f0\ub300 (Queer Art Active) : @queerartactive<\/a> with @una_now_won<\/a> , @starry8night<\/a> , <\/a> https:\/\/cafe.naver.com\/queerartactive<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div>
\n\ud559\ub825<\/strong><\/p>\n2013~2016 \ud55c\uad6d\uc608\uc220\uc885\ud569\ud559\uad50 \ubbf8\uc220\uc6d0 \uc870\ud615\uc608\uc220\uacfc \uc608\uc220\uc804\ubb38\uc0ac (\uc11d\uc0ac)\u00a0\uc878\uc5c5<\/p>\n
2002~2008 \uc548\uc591\ub300\ud559\uad50 \ub514\uc9c0\ud138\ubbf8\ub514\uc5b4\ub514\uc790\uc778\ud559\uacfc \uc878\uc5c5<\/p>\n<\/div>
\n\uac1c\uc778\uc804<\/strong><\/p>\n2022 <\uc720\ub791\uadf9\ub2e8>, \uc720\uc544\ud2b8\uc2a4\ud398\uc774\uc2a4, \uc11c\uc6b8<\/p>\n
2020 <Past Toys>, \uc1fc\uc564\ud154, \uc11c\uc6b8<\/p>\n
2019 <I am No more Mad than you are : NO MAD>, \uccad\ucd94\ubbf8\uc220\ucc3d\uc791\uc2a4\ud29c\ub514\uc624, \uccad\uc8fc<\/p>\n
2018 <Home, Bittersweet Home>, \ub958\uac00\ud5cc, \uc11c\uc6b8<\/p>\n
2018 <Glass Closet>, \uacf5;\uac04\uadf9, \uc11c\uc6b8<\/p>\n
2017 <\uc785\uc8fc\uc791\uac00 \uacb0\uacfc\ubcf4\uace0 \ud504\ub85c\uadf8\ub7a8 \u2013 #GUNSAN>, \ucc3d\uc791\ubb38\ud654\uacf5\uac04\uc5ec\uc778\uc219, \uad70\uc0b0<\/p>\n
2017 <Toy Room>, \ub300\uc548\uacf5\uac04 \ub208 \u2013 \uc790\uae30\ub9cc\uc758 \ubc29, \uc218\uc6d0<\/p>\n
2016 <Fast Memories>, \uc544\uce74\uc774\ube59 \ubc14\ubca8, \uc6f9\uc804\uc2dc<\/p>\n
2014 <Rendezvous>, Gallery NUDA, \ub300\uc804<\/p>\n<\/div>
\n\ub2e8\uccb4\uc804<\/strong><\/p>\n2024 <\ub514\uc624\ub974\ube57>, wrm space, \uc11c\uc6b8<\/p>\n
2023 <\uc5f0\uadf9\uc774 \ub05d\ub098\uace0 \ub09c \ub4a4>, 64\uac24\ub7ec\ub9ac, \uc548\uc131<\/p>\n
2023 <\ud504\ub85c\uc81d\ud2b8 \ubbf8\ub77c\uc8fc: \ubcc0\uce59\uc801\uc778 \ud034\uc5b4(\uc2dc\uac01)\uc608\uc220 \uacf5\uac04\uc758 \uc5b8\uc5b4>, \ubbf8\ub77c\uc8fc, \uc11c\uc6b8<\/p>\n
2023 <\ud06c\ub85c\uc2a4!>, \uc81c\uc8fc\ub3cc\ud540\uc120\ud130, \uc81c\uc8fc<\/p>\n
2023 <\uc0ac\uc9c4\uc758 \ub3c4\uc11c\uad00xXXPRESS>, XXPRESS, \uc11c\uc6b8<\/p>\n
2023 <Ghost Dimension>, PLACEMAK BKK, \ubc29\ucf55, \ud0dc\uad6d<\/p>\n
2023 <\uc6b0\ub9ac\ub294, \uc5b4\ub514\uc5d0, \uc788\ub098 where, were, we’re> 2\ubd80, \ubbf8\ub77c\uc8fc, \uc11c\uc6b8<\/p>\n
2023 <To be anything, To be nothing>, \ud0c8\uc601\uc5ed \uc6b0\uc815\uad6d, \uc11c\uc6b8<\/p>\n
2022 <\ubc84\uc11c\ucee4\uc640 \uc18c\ud658\uc0ac>, \ud0c8\uc601\uc5ed\uc6b0\uc815\uad6d, \uc11c\uc6b8<\/p>\n
2022 <\uc528\ube44\uc804: \ud55c \uc0ac\ub78c\uc758 \uc0dd\uc560>, \ube4c\ub77c\ud574\ubc00\ud1a4, \uc11c\uc6b8<\/p>\n
2022 <3040>, \ubbf8\ud559\uad00, \uc11c\uc6b8<\/p>\n
2021 <\ud50c\ub77c\ub098\ub9ac\uc544>, \ud50c\ub7ab\ud3fc \ubab0\ud0c8, \uc77c\uc0b0<\/p>\n
2021 <Drag Us>, \uac24\ub7ec\ub9ac \uc544\ubbf8\ub514, \uc11c\uc6b8<\/p>\n
2021 <\ub192\uc740 \uacf3\uc758 \uace0\uc591\uc774\ub294 \uc6b0\ub9ac\uc5d0\uac8c \uc9c0\ud61c\ub97c \uc8fc\uc9c0>, \uc744\uc9c0\ub85c of, \uc11c\uc6b8<\/p>\n
2021 <\ucd08\ub300\uc758 \uac10\uac01>, \ud0c8\uc601\uc5ed \uc6b0\uc815\uad6d, \uc11c\uc6b8<\/p>\n
2021 <\uc628\uc2e4\uc5f4\ub78c>, \uacf5\uac04\uc77c\ub9ac, \uc11c\uc6b8<\/p>\n
2021 <Nine blinks>, \uc26c\ud504\ud2b8, \uc11c\uc6b8<\/p>\n
2020 <\uc5b4\ub178\uc789 \uc624\ud398\ub77c – \ubc24\uc758 \uc720\ub300>, \ud0b5\uc778\ud130\uce58, \uc11c\uc6b8<\/p>\n
2020 <Magical Offering>, \uc639\ub178, \uc778\ucc9c<\/p>\n
2020 <2020 \uc11c\uc6b8\ud504\ub77c\uc774\ub4dc\uc2a4\ud14c\uc774\uc9c0>, \ucee4\ubba4\ub2c8\ud2f0\ud558\uc6b0\uc2a4 \ub9c8\uc2e4, \uc11c\uc6b8<\/p>\n
2020 <\uc778\ud615,\uadf9>, Alterside, \uc11c\uc6b8<\/p>\n
2020 <quandemic 1\ubd80 – \uacf5\ud3ec>, \uc624\uc190\ub3c4\uc190, \uc218\uc6d0<\/p>\n
2020 <\ud30c\ub791,\uc0c8>, \uacf5\uac04 \uc11c\uc6b8, \uc11c\uc6b8<\/p>\n
2020 <\uc9c0\uad6c\uc778\uc744 \uc704\ud55c \uc9c8\ubcd1\uad00\ub9ac\ubcf8\ubd80 & \ubcd1\uacfc \uc2dd\ud0c1>, \uc778\ub514\uc544\ud2b8\ud640 \uacf5, \uc11c\uc6b8<\/p>\n
2020 <\u65b0\u6c23\u6d41, \u4fe1\u3058\u308b, \uc2e0\uae30\ub8e8> 26\ub3c4\uc528, \uccad\uc8fc<\/p>\n
2020 <\uc2e4\ud328\uc804-\ud504\ub9ac\ud004>, \ud50c\ub79c\ube44 \ud504\ub85c\uc81d\ud2b8 \uc2a4\ud398\uc774\uc2a4, \uc11c\uc6b8<\/p>\n
2019 <THE SCRAP 2019>, \uc11c\uc6b8<\/p>\n
2019 <PHOTO IS:RAEL>, \ud154\uc544\ube44\ube0c, \uc774\uc2a4\ub77c\uc5d8<\/p>\n
2019 <Inter-val, Inter-view>, \ud2b8\ub77c\uc774\ubcf4\uc6b8, \uc778\ucc9c<\/p>\n
2019 <Exhibition of the 2019 winners> De Hallen, \uc554\uc2a4\ud154\ub2f4, \ub124\ub35c\ub780\ub4dc<\/p>\n
2019 <\ub3d9\uc131\uce89\uce89>, \uc544\ud2b8\ube44\uc564, \uc11c\uc6b8<\/p>\n
2019 <Corners2>, \ud0b5\uc778\ud130\uce58, \uc11c\uc6b8<\/p>\n
2019 <\uc624\ud508\ucf54\ub4dc>, \uccad\uc8fc\ubbf8\uc220\ucc3d\uc791\uc2a4\ud29c\ub514\uc624, \uccad\uc8fc<\/p>\n
2019 <Queer Proud>, \ud648\uc5f0\ubb34, \uc218\uc6d0<\/p>\n
2019 <\uc774\uc911\uc758\uc2dd>, \ubcc4\uad00, \uc11c\uc6b8<\/p>\n
2018 <\ubc15\uc218\uc758 \uc870\uce74; \ub2ec\ub77c\uc774\ub77c\ub9c8\uc758\ub51c\ub808\ub9c8\uc640 \uaf3d\uc0ac\ub9ac\ub4e4>, \uacf5\uc720\uc2a4\ud398\uc774\uc2a4 \uc120, \uc11c\uc6b8<\/p>\n
2017 <The Bedroom>, Holland Tunnel Gallery, \ube0c\ub8e8\ud074\ub9b0, \ub274\uc695, \ubbf8\uad6d<\/p>\n
2017 <\ub05d\ub09c \uc804\uc2dc \ub2e4\uc2dc \ubcf4\uae30 : A\/S(After Show)>, \uc11c\uad50\uc608\uc220\uc2e4\ud5d8\uc13c\ud130, \uc11c\uc6b8<\/p>\n
2016 <THE SCRAP>, \uc11c\uc6b8<\/p>\n
2016 <\uacf5\uac00\ubb34\uc778>, \uc18c\ud638\ud5cc, \ub300\uc804<\/p>\n
2015 <\ub514\uc9c0\ud138 \uc544\ub974\ud14d\uc2a4\ubaa8\ub2e4 2015>, \uacbd\ubd81\ub300\ud559\uad50\ubbf8\uc220\uad00, \ub300\uad6c<\/p>\n
2013 <Rephotography>, \ubcf5\ud569\ubb38\ud654\uacf5\uac04 NEMO, \uc11c\uc6b8<\/p>\n
2012 <\uc608\uc220\uc7a5\ub3cc\ubc45\uc774 ANT \uacb0\uacfc\ubcf4\uace0\uc804>, \ubcf4\ucda9\ub300\ub9ac\uacf5\uac04 \uc2a4\ud1a4\uc564\uc6cc\ud130, \uc548\uc591<\/p>\n
2010 <\uc120\uc2ec\ucd08\uc2ec>, \uac24\ub7ec\ub9ac \ubcf4\ub2e4, \uc11c\uc6b8<\/p>\n<\/div>
\n\ub808\uc9c0\ub358\uc2dc<\/strong><\/p>\n2019 <\uccad\uc8fc\ubbf8\uc220\ucc3d\uc791\uc2a4\ud29c\ub514\uc624>, \uccad\uc8fc<\/p>\n
2017 <\ucc3d\uc791\ubb38\ud654\uacf5\uac04 \uc5ec\uc778\uc219>, \uad70\uc0b0<\/p>\n
2016 <\uc18c\uc81c\ucc3d\uc791\ucd0c>, \ub300\uc804<\/p>\n<\/div>
\n\uc218\uc0c1 \ubc0f \uae30\uae08<\/strong><\/p>\n2020 <\ubc14\ub85c \uadf8 \uc9c0\uc6d0-8\uc6d4>, \uc778\ucc9c\ubb38\ud654\uc7ac\ub2e8<\/p>\n
2019 <Winner 2019 Pride Photo Award>, Pride Photo Award, \ub124\ub35c\ub780\ub4dc\u00a0<\/span><\/p>\n2019 <Special Mention: Badasses>, Pride Photo Award, \ub124\ub35c\ub780\ub4dc<\/p>\n
2019 <Special Mention: PLAY TOY>, Pride Photo Award, \ub124\ub35c\ub780\ub4dc<\/p>\n<\/div>
<\/div><\/div><\/div>
\nEducation<\/strong><\/p>\n2013~2016\u00a0 Master of Fine Arts, Korea National University Of Arts<\/p>\n
2002~2008 Bachelor of Science, Digital Media Design, Anyang University<\/p>\n<\/div>
\nSolo Exhibition<\/strong><\/p>\n2022 <Traveling Troupe>, Uart Space, Seoul, Korea<\/p>\n
2020 <Past Toys>, Show and Tell, Seoul, Korea<\/p>\n
2019 <I am No more Mad than you are : NO MAD>, Cheongju Art Studio, Chungju, Korea<\/p>\n
2018 <Home, Bittersweet Home>, Gallery Ryugaheon, Seoul, Korea<\/p>\n
2018 <Glass Closet>, Space Keuk, Seoul, Korea<\/p>\n
2017 <#GUNSAN>, Art and Culture space Yeoinsuk, Gunsan, Korea<\/p>\n
2017 <Toy room>, Room of One\u2019s own \u2013 Alternative space Noon, Suwon, Korea<\/p>\n
2016 <Fast Memories>, ARCHIVING BABEL, web exhibition<\/p>\n
2014 <Rendezvous>, \u00a0NUDA, Daejeon, Korea<\/p>\n<\/div>
\nGroup Exhibition<\/strong><\/p>\n2024 <The Orbit>, wrm space, Seoul, Korea<\/p>\n
2023 <After the play was over>, Gallery 64, Anseong, Korea<\/p>\n
2023 <Project Mirage: The Anomalous Language of Queer(Visual) Art Space>, Marage, Seoul<\/p>\n
2023 <Cross!>, Jeju Dolphin Center, Jeju, Korea<\/p>\n
2023 <LA BIBLIOTECA DE FOTOxXXPRESS>, XXPRESS, Seoul, Korea<\/p>\n
2023 <\u0e43\u0e14\u0e40\u0e21\u0e19\u0e0a\u0e31\u0e48\u0e19 Ghost Dimension>, PLACEMAK BKK, Bankok, Thailand<\/p>\n
2023 <where, were, we’re> part 2, Mirage, Seoul<\/p>\n
2023 <To be anything, To be nothing>, Post Territory Ujeongguk, Seoul, Korea<\/p>\n
2022 <Berserker and Summoner>, Post Territory Ujeongguk, Seoul, Korea<\/p>\n
2022 <CV=(The Course of One’s Life)>, Villa Hamilton, Seoul<\/p>\n
2022 <3040>, Philosopher\u2019s Stone, Seoul, Korea<\/p>\n
2021 <PLANARIA>, Platform MORTAR, Ilsan, Korea<\/p>\n
2021 <Drag Us>, Gallery AMIDI, Seoul, Korea<\/p>\n
2021 <A perching cat makes us wise>, 55ooofff, Seoul, Korea<\/p>\n
2021 <the Senses of invitation>, Post Territory Ujeongguk, Seoul, Korea<\/p>\n
2021 <Reading Greenhouse>, Space illi, Seoul, Korea<\/p>\n
2021 <Nine blinks>, SHIFT, Seoul, Korea<\/p>\n
2020 <Annoying Opera : the bond of the night>, Keep in Touch Seoul, Seoul, Korea<\/p>\n
2020 <Magical Offering>, Ongno, In-chen, Korea<\/p>\n
2020 <2020 Seoul Pride Stage>, Community House Masil, Seoul, Korea<\/p>\n
2020 <Puppet-Show>, Alterside, Seoul, Korea<\/p>\n
2020 <quandemic part 1 – fear>, Osondoson, Suwon, Korea<\/p>\n
2020 <Blue,Bird>, Space Seoul, Seoul, Korea<\/p>\n
2020 <Earthian Center for Disease Control & Prevention>, Indie art GONG, Seoul, Korea<\/p>\n
2020 <New atmosphere, Believe, Mirage>, 26 degree C ,Cheongju, Korea \u00a0<\/span><\/p>\n2020 <Failure exhibition; Prequel>, plan b project space, Seoul, Korea<\/p>\n
2019 <THE SCRAP 2019>, Seoul, Korea<\/p>\n
2019 <PHOTO IS:RAEL>, Tel Aviv, Israel<\/p>\n
2019 <Inter-val, Inter-view>, Tribowl, Incheon, Korea<\/p>\n
2019 <Exhibition of the 2019 winners> De Hallen, Amsterdam, Netherland<\/p>\n
2019 <Dongseongkangkang>, Artbn, Seoul, Korea<\/p>\n
2019 <Corners2>, Keep in touch seoul, Seoul, Korea<\/p>\n
2019 <Open Code>, Cheongju Art Studio, Cheongju, Korea<\/p>\n
2019 <Queer Proud>, Home Yeonmoo, Suwaon, Korea<\/p>\n
2019 <Double Consciousness>, Out House, Seoul, Korea<\/p>\n
2018 <Niece of Shaman>, Space Sun, Seoul, Korea<\/p>\n
2017 <The Bedroom>, Holland Tunnel Gallery, Brooklyn, USA<\/p>\n
2017\u00a0<A\/S(After Show)>, Seoul Art Space Seogyo, Seoul, Korea<\/p>\n
2016 <THE SCRAP>, Seoul, Korea<\/p>\n
2016 <Empty house, manless>, Sohoheon, Daejeon, Korea<\/p>\n
2015 <Digital ARTEXMODA 2015>, Art Museum KNU, Daegu, Korea<\/p>\n
2013 <Rephotography>, complex cultural space NEMO, Seoul, Korea<\/p>\n
2012 <Report on art itinerant vendors ANT>, supplement space Stone & Water, Anyang, Korea<\/p>\n
2010 <Zen Mind, Beginner\u2019s mind>, Gallery BODA, Seoul, Korea<\/p>\n<\/div>
\nArt Residency<\/strong><\/p>\n2019 <Cheongju Art Studio>,Cheongju, Korea<\/p>\n
2017\u00a0<Art and Culture space Yeoinsuk Residency>, Gunsan, Korea<\/p>\n
2016 <Sojae Creating Community Residency> , Daejeon, Korea<\/p>\n<\/div>
\nAward\u00a0 <\/span>\/ Grant<\/strong><\/p>\n2020 <That Grant – August>, Incheon Cultural Foundation, Inchen, Korea<\/p>\n
2019 <Winner 2019 Pride Photo Award>, Pride Photo Award, Netherland<\/p>\n
2019 <Special Mention: Badasses>, Pride Photo Award, Netherland<\/p>\n
2019 <Special Mention: PLAY TOY>, Pride Photo Award, Netherland<\/p>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
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TEL<\/strong> : +82 10 9409 0668, \u00a0E-mail<\/strong> : cxxt@nate.com<\/p>\n SNS<\/strong> : Collective Work<\/strong><\/p>\n \ud559\ub825<\/strong><\/p>\n 2013~2016 \ud55c\uad6d\uc608\uc220\uc885\ud569\ud559\uad50 \ubbf8\uc220\uc6d0 \uc870\ud615\uc608\uc220\uacfc \uc608\uc220\uc804\ubb38\uc0ac (\uc11d\uc0ac)\u00a0\uc878\uc5c5<\/p>\n 2002~2008 \uc548\uc591\ub300\ud559\uad50 \ub514\uc9c0\ud138\ubbf8\ub514\uc5b4\ub514\uc790\uc778\ud559\uacfc \uc878\uc5c5<\/p>\n<\/div> \uac1c\uc778\uc804<\/strong><\/p>\n 2022 <\uc720\ub791\uadf9\ub2e8>, \uc720\uc544\ud2b8\uc2a4\ud398\uc774\uc2a4, \uc11c\uc6b8<\/p>\n 2020 <Past Toys>, \uc1fc\uc564\ud154, \uc11c\uc6b8<\/p>\n 2019 <I am No more Mad than you are : NO MAD>, \uccad\ucd94\ubbf8\uc220\ucc3d\uc791\uc2a4\ud29c\ub514\uc624, \uccad\uc8fc<\/p>\n 2018 <Home, Bittersweet Home>, \ub958\uac00\ud5cc, \uc11c\uc6b8<\/p>\n 2018 <Glass Closet>, \uacf5;\uac04\uadf9, \uc11c\uc6b8<\/p>\n 2017 <\uc785\uc8fc\uc791\uac00 \uacb0\uacfc\ubcf4\uace0 \ud504\ub85c\uadf8\ub7a8 \u2013 #GUNSAN>, \ucc3d\uc791\ubb38\ud654\uacf5\uac04\uc5ec\uc778\uc219, \uad70\uc0b0<\/p>\n 2017 <Toy Room>, \ub300\uc548\uacf5\uac04 \ub208 \u2013 \uc790\uae30\ub9cc\uc758 \ubc29, \uc218\uc6d0<\/p>\n 2016 <Fast Memories>, \uc544\uce74\uc774\ube59 \ubc14\ubca8, \uc6f9\uc804\uc2dc<\/p>\n 2014 <Rendezvous>, Gallery NUDA, \ub300\uc804<\/p>\n<\/div> \ub2e8\uccb4\uc804<\/strong><\/p>\n 2024 <\ub514\uc624\ub974\ube57>, wrm space, \uc11c\uc6b8<\/p>\n 2023 <\uc5f0\uadf9\uc774 \ub05d\ub098\uace0 \ub09c \ub4a4>, 64\uac24\ub7ec\ub9ac, \uc548\uc131<\/p>\n 2023 <\ud504\ub85c\uc81d\ud2b8 \ubbf8\ub77c\uc8fc: \ubcc0\uce59\uc801\uc778 \ud034\uc5b4(\uc2dc\uac01)\uc608\uc220 \uacf5\uac04\uc758 \uc5b8\uc5b4>, \ubbf8\ub77c\uc8fc, \uc11c\uc6b8<\/p>\n 2023 <\ud06c\ub85c\uc2a4!>, \uc81c\uc8fc\ub3cc\ud540\uc120\ud130, \uc81c\uc8fc<\/p>\n 2023 <\uc0ac\uc9c4\uc758 \ub3c4\uc11c\uad00xXXPRESS>, XXPRESS, \uc11c\uc6b8<\/p>\n 2023 <Ghost Dimension>, PLACEMAK BKK, \ubc29\ucf55, \ud0dc\uad6d<\/p>\n 2023 <\uc6b0\ub9ac\ub294, \uc5b4\ub514\uc5d0, \uc788\ub098 where, were, we’re> 2\ubd80, \ubbf8\ub77c\uc8fc, \uc11c\uc6b8<\/p>\n 2023 <To be anything, To be nothing>, \ud0c8\uc601\uc5ed \uc6b0\uc815\uad6d, \uc11c\uc6b8<\/p>\n 2022 <\ubc84\uc11c\ucee4\uc640 \uc18c\ud658\uc0ac>, \ud0c8\uc601\uc5ed\uc6b0\uc815\uad6d, \uc11c\uc6b8<\/p>\n 2022 <\uc528\ube44\uc804: \ud55c \uc0ac\ub78c\uc758 \uc0dd\uc560>, \ube4c\ub77c\ud574\ubc00\ud1a4, \uc11c\uc6b8<\/p>\n 2022 <3040>, \ubbf8\ud559\uad00, \uc11c\uc6b8<\/p>\n 2021 <\ud50c\ub77c\ub098\ub9ac\uc544>, \ud50c\ub7ab\ud3fc \ubab0\ud0c8, \uc77c\uc0b0<\/p>\n 2021 <Drag Us>, \uac24\ub7ec\ub9ac \uc544\ubbf8\ub514, \uc11c\uc6b8<\/p>\n 2021 <\ub192\uc740 \uacf3\uc758 \uace0\uc591\uc774\ub294 \uc6b0\ub9ac\uc5d0\uac8c \uc9c0\ud61c\ub97c \uc8fc\uc9c0>, \uc744\uc9c0\ub85c of, \uc11c\uc6b8<\/p>\n 2021 <\ucd08\ub300\uc758 \uac10\uac01>, \ud0c8\uc601\uc5ed \uc6b0\uc815\uad6d, \uc11c\uc6b8<\/p>\n 2021 <\uc628\uc2e4\uc5f4\ub78c>, \uacf5\uac04\uc77c\ub9ac, \uc11c\uc6b8<\/p>\n 2021 <Nine blinks>, \uc26c\ud504\ud2b8, \uc11c\uc6b8<\/p>\n 2020 <\uc5b4\ub178\uc789 \uc624\ud398\ub77c – \ubc24\uc758 \uc720\ub300>, \ud0b5\uc778\ud130\uce58, \uc11c\uc6b8<\/p>\n 2020 <Magical Offering>, \uc639\ub178, \uc778\ucc9c<\/p>\n 2020 <2020 \uc11c\uc6b8\ud504\ub77c\uc774\ub4dc\uc2a4\ud14c\uc774\uc9c0>, \ucee4\ubba4\ub2c8\ud2f0\ud558\uc6b0\uc2a4 \ub9c8\uc2e4, \uc11c\uc6b8<\/p>\n 2020 <\uc778\ud615,\uadf9>, Alterside, \uc11c\uc6b8<\/p>\n 2020 <quandemic 1\ubd80 – \uacf5\ud3ec>, \uc624\uc190\ub3c4\uc190, \uc218\uc6d0<\/p>\n 2020 <\ud30c\ub791,\uc0c8>, \uacf5\uac04 \uc11c\uc6b8, \uc11c\uc6b8<\/p>\n 2020 <\uc9c0\uad6c\uc778\uc744 \uc704\ud55c \uc9c8\ubcd1\uad00\ub9ac\ubcf8\ubd80 & \ubcd1\uacfc \uc2dd\ud0c1>, \uc778\ub514\uc544\ud2b8\ud640 \uacf5, \uc11c\uc6b8<\/p>\n 2020 <\u65b0\u6c23\u6d41, \u4fe1\u3058\u308b, \uc2e0\uae30\ub8e8> 26\ub3c4\uc528, \uccad\uc8fc<\/p>\n 2020 <\uc2e4\ud328\uc804-\ud504\ub9ac\ud004>, \ud50c\ub79c\ube44 \ud504\ub85c\uc81d\ud2b8 \uc2a4\ud398\uc774\uc2a4, \uc11c\uc6b8<\/p>\n 2019 <THE SCRAP 2019>, \uc11c\uc6b8<\/p>\n 2019 <PHOTO IS:RAEL>, \ud154\uc544\ube44\ube0c, \uc774\uc2a4\ub77c\uc5d8<\/p>\n 2019 <Inter-val, Inter-view>, \ud2b8\ub77c\uc774\ubcf4\uc6b8, \uc778\ucc9c<\/p>\n 2019 <Exhibition of the 2019 winners> De Hallen, \uc554\uc2a4\ud154\ub2f4, \ub124\ub35c\ub780\ub4dc<\/p>\n 2019 <\ub3d9\uc131\uce89\uce89>, \uc544\ud2b8\ube44\uc564, \uc11c\uc6b8<\/p>\n 2019 <Corners2>, \ud0b5\uc778\ud130\uce58, \uc11c\uc6b8<\/p>\n 2019 <\uc624\ud508\ucf54\ub4dc>, \uccad\uc8fc\ubbf8\uc220\ucc3d\uc791\uc2a4\ud29c\ub514\uc624, \uccad\uc8fc<\/p>\n 2019 <Queer Proud>, \ud648\uc5f0\ubb34, \uc218\uc6d0<\/p>\n 2019 <\uc774\uc911\uc758\uc2dd>, \ubcc4\uad00, \uc11c\uc6b8<\/p>\n 2018 <\ubc15\uc218\uc758 \uc870\uce74; \ub2ec\ub77c\uc774\ub77c\ub9c8\uc758\ub51c\ub808\ub9c8\uc640 \uaf3d\uc0ac\ub9ac\ub4e4>, \uacf5\uc720\uc2a4\ud398\uc774\uc2a4 \uc120, \uc11c\uc6b8<\/p>\n 2017 <The Bedroom>, Holland Tunnel Gallery, \ube0c\ub8e8\ud074\ub9b0, \ub274\uc695, \ubbf8\uad6d<\/p>\n 2017 <\ub05d\ub09c \uc804\uc2dc \ub2e4\uc2dc \ubcf4\uae30 : A\/S(After Show)>, \uc11c\uad50\uc608\uc220\uc2e4\ud5d8\uc13c\ud130, \uc11c\uc6b8<\/p>\n 2016 <THE SCRAP>, \uc11c\uc6b8<\/p>\n 2016 <\uacf5\uac00\ubb34\uc778>, \uc18c\ud638\ud5cc, \ub300\uc804<\/p>\n 2015 <\ub514\uc9c0\ud138 \uc544\ub974\ud14d\uc2a4\ubaa8\ub2e4 2015>, \uacbd\ubd81\ub300\ud559\uad50\ubbf8\uc220\uad00, \ub300\uad6c<\/p>\n 2013 <Rephotography>, \ubcf5\ud569\ubb38\ud654\uacf5\uac04 NEMO, \uc11c\uc6b8<\/p>\n 2012 <\uc608\uc220\uc7a5\ub3cc\ubc45\uc774 ANT \uacb0\uacfc\ubcf4\uace0\uc804>, \ubcf4\ucda9\ub300\ub9ac\uacf5\uac04 \uc2a4\ud1a4\uc564\uc6cc\ud130, \uc548\uc591<\/p>\n 2010 <\uc120\uc2ec\ucd08\uc2ec>, \uac24\ub7ec\ub9ac \ubcf4\ub2e4, \uc11c\uc6b8<\/p>\n<\/div> \ub808\uc9c0\ub358\uc2dc<\/strong><\/p>\n 2019 <\uccad\uc8fc\ubbf8\uc220\ucc3d\uc791\uc2a4\ud29c\ub514\uc624>, \uccad\uc8fc<\/p>\n 2017 <\ucc3d\uc791\ubb38\ud654\uacf5\uac04 \uc5ec\uc778\uc219>, \uad70\uc0b0<\/p>\n 2016 <\uc18c\uc81c\ucc3d\uc791\ucd0c>, \ub300\uc804<\/p>\n<\/div> \uc218\uc0c1 \ubc0f \uae30\uae08<\/strong><\/p>\n 2020 <\ubc14\ub85c \uadf8 \uc9c0\uc6d0-8\uc6d4>, \uc778\ucc9c\ubb38\ud654\uc7ac\ub2e8<\/p>\n 2019 <Winner 2019 Pride Photo Award>, Pride Photo Award, \ub124\ub35c\ub780\ub4dc\u00a0<\/span><\/p>\n 2019 <Special Mention: Badasses>, Pride Photo Award, \ub124\ub35c\ub780\ub4dc<\/p>\n 2019 <Special Mention: PLAY TOY>, Pride Photo Award, \ub124\ub35c\ub780\ub4dc<\/p>\n<\/div> Education<\/strong><\/p>\n 2013~2016\u00a0 Master of Fine Arts, Korea National University Of Arts<\/p>\n 2002~2008 Bachelor of Science, Digital Media Design, Anyang University<\/p>\n<\/div> Solo Exhibition<\/strong><\/p>\n 2022 <Traveling Troupe>, Uart Space, Seoul, Korea<\/p>\n 2020 <Past Toys>, Show and Tell, Seoul, Korea<\/p>\n 2019 <I am No more Mad than you are : NO MAD>, Cheongju Art Studio, Chungju, Korea<\/p>\n 2018 <Home, Bittersweet Home>, Gallery Ryugaheon, Seoul, Korea<\/p>\n 2018 <Glass Closet>, Space Keuk, Seoul, Korea<\/p>\n 2017 <#GUNSAN>, Art and Culture space Yeoinsuk, Gunsan, Korea<\/p>\n 2017 <Toy room>, Room of One\u2019s own \u2013 Alternative space Noon, Suwon, Korea<\/p>\n 2016 <Fast Memories>, ARCHIVING BABEL, web exhibition<\/p>\n 2014 <Rendezvous>, \u00a0NUDA, Daejeon, Korea<\/p>\n<\/div> Group Exhibition<\/strong><\/p>\n 2024 <The Orbit>, wrm space, Seoul, Korea<\/p>\n 2023 <After the play was over>, Gallery 64, Anseong, Korea<\/p>\n 2023 <Project Mirage: The Anomalous Language of Queer(Visual) Art Space>, Marage, Seoul<\/p>\n 2023 <Cross!>, Jeju Dolphin Center, Jeju, Korea<\/p>\n 2023 <LA BIBLIOTECA DE FOTOxXXPRESS>, XXPRESS, Seoul, Korea<\/p>\n 2023 <\u0e43\u0e14\u0e40\u0e21\u0e19\u0e0a\u0e31\u0e48\u0e19 Ghost Dimension>, PLACEMAK BKK, Bankok, Thailand<\/p>\n 2023 <where, were, we’re> part 2, Mirage, Seoul<\/p>\n 2023 <To be anything, To be nothing>, Post Territory Ujeongguk, Seoul, Korea<\/p>\n 2022 <Berserker and Summoner>, Post Territory Ujeongguk, Seoul, Korea<\/p>\n 2022 <CV=(The Course of One’s Life)>, Villa Hamilton, Seoul<\/p>\n 2022 <3040>, Philosopher\u2019s Stone, Seoul, Korea<\/p>\n 2021 <PLANARIA>, Platform MORTAR, Ilsan, Korea<\/p>\n 2021 <Drag Us>, Gallery AMIDI, Seoul, Korea<\/p>\n 2021 <A perching cat makes us wise>, 55ooofff, Seoul, Korea<\/p>\n 2021 <the Senses of invitation>, Post Territory Ujeongguk, Seoul, Korea<\/p>\n 2021 <Reading Greenhouse>, Space illi, Seoul, Korea<\/p>\n 2021 <Nine blinks>, SHIFT, Seoul, Korea<\/p>\n 2020 <Annoying Opera : the bond of the night>, Keep in Touch Seoul, Seoul, Korea<\/p>\n 2020 <Magical Offering>, Ongno, In-chen, Korea<\/p>\n 2020 <2020 Seoul Pride Stage>, Community House Masil, Seoul, Korea<\/p>\n 2020 <Puppet-Show>, Alterside, Seoul, Korea<\/p>\n 2020 <quandemic part 1 – fear>, Osondoson, Suwon, Korea<\/p>\n 2020 <Blue,Bird>, Space Seoul, Seoul, Korea<\/p>\n 2020 <Earthian Center for Disease Control & Prevention>, Indie art GONG, Seoul, Korea<\/p>\n 2020 <New atmosphere, Believe, Mirage>, 26 degree C ,Cheongju, Korea \u00a0<\/span><\/p>\n 2020 <Failure exhibition; Prequel>, plan b project space, Seoul, Korea<\/p>\n 2019 <THE SCRAP 2019>, Seoul, Korea<\/p>\n 2019 <PHOTO IS:RAEL>, Tel Aviv, Israel<\/p>\n 2019 <Inter-val, Inter-view>, Tribowl, Incheon, Korea<\/p>\n 2019 <Exhibition of the 2019 winners> De Hallen, Amsterdam, Netherland<\/p>\n 2019 <Dongseongkangkang>, Artbn, Seoul, Korea<\/p>\n 2019 <Corners2>, Keep in touch seoul, Seoul, Korea<\/p>\n 2019 <Open Code>, Cheongju Art Studio, Cheongju, Korea<\/p>\n 2019 <Queer Proud>, Home Yeonmoo, Suwaon, Korea<\/p>\n 2019 <Double Consciousness>, Out House, Seoul, Korea<\/p>\n 2018 <Niece of Shaman>, Space Sun, Seoul, Korea<\/p>\n 2017 <The Bedroom>, Holland Tunnel Gallery, Brooklyn, USA<\/p>\n 2017\u00a0<A\/S(After Show)>, Seoul Art Space Seogyo, Seoul, Korea<\/p>\n 2016 <THE SCRAP>, Seoul, Korea<\/p>\n 2016 <Empty house, manless>, Sohoheon, Daejeon, Korea<\/p>\n 2015 <Digital ARTEXMODA 2015>, Art Museum KNU, Daegu, Korea<\/p>\n 2013 <Rephotography>, complex cultural space NEMO, Seoul, Korea<\/p>\n 2012 <Report on art itinerant vendors ANT>, supplement space Stone & Water, Anyang, Korea<\/p>\n 2010 <Zen Mind, Beginner\u2019s mind>, Gallery BODA, Seoul, Korea<\/p>\n<\/div> Art Residency<\/strong><\/p>\n 2019 <Cheongju Art Studio>,Cheongju, Korea<\/p>\n 2017\u00a0<Art and Culture space Yeoinsuk Residency>, Gunsan, Korea<\/p>\n 2016 <Sojae Creating Community Residency> , Daejeon, Korea<\/p>\n<\/div> Award\u00a0 <\/span>\/ Grant<\/strong><\/p>\n 2020 <That Grant – August>, Incheon Cultural Foundation, Inchen, Korea<\/p>\n 2019 <Winner 2019 Pride Photo Award>, Pride Photo Award, Netherland<\/p>\n 2019 <Special Mention: Badasses>, Pride Photo Award, Netherland<\/p>\n 2019 <Special Mention: PLAY TOY>, Pride Photo Award, Netherland<\/p>\n<\/div><\/a>http:\/\/facebook.com\/ysw1223<\/a> ,\u00a0<\/a> \u00a0@yang_seungwook <\/a>,@cxxt <\/a><\/a>\u00a0@cxxt<\/a>\u00a0, <\/a>\u00a0http:\/\/blog.naver.com\/cxxt<\/a><\/p>\n<\/div>
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@salchingu<\/a>\u00a0with @starry8night<\/a><\/li>\n @dopaminequeerzineclub<\/a> with @heejodraws<\/a> \u00a0\u00a0https:\/\/www.dopaminequeerzineclub.com<\/a><\/li>\n @the_project_cv<\/a> with @woow_woo<\/a> , @zulywith<\/a> , @starry8night<\/a> , @mongseal2<\/a><\/li>\n @queerartactive<\/a> with @una_now_won<\/a> , @starry8night<\/a> , <\/a> https:\/\/cafe.naver.com\/queerartactive<\/a><\/li>\n<\/ul>\n<\/div>
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